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Reposhing this item I purchased from @beverlybru. Loved it, but ready to rotate for something new. Questions? Leave a comment below!
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Black Floral Playsuit

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News and Artists

Update: 4th Jan 2022

During the current unprecedented situation, Chandos Records continues to trade as normally as possible. As many of our staff are working remotely, we would ask you to submit any queries online here rather than by telephone. CD orders are being despatched on the next working day, but understandably due to the pandemic delivery times will vary and take significantly longer than usual, depending on your location. Please note there are also countries ‘on suspension’ by UK’s Royal Mail. We thank you for your understanding.

 

BBC Music Mag Awards

Three Chandos releases noimated for 2022 Awards!

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Presto Record of Year

English Music for Strings is Presto Music's 2021 Pick

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Gramophone Awards

Peter Grimes named 'Record of the Year!'

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Sinfonia of London debut!

SoL & John Wilson make stunning Proms debut

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Recording with Sir Roger

Francesca Dego shares experiences in the Strad

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The Times Album of Week

The Times name Donohoe's Busoni highlight of the week

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BBC R3 Record of Week

Bruckner is Record Review's pick of the week!

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Thais wins Juno Award!

Sir Andrew Davis disc wins Best Classical Album (Vocal)

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BBC Orchestral Winner

Wilson & SoL's Respighi wins BBC Orchestral Award

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BBC Chamber Winner

Little & Lane win BBC Chamber Award

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The Prison wins a GRAMMY

Smyth premiere recording wins at March 2021 awards.

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Barry Douglas Podcast

Father-son-duo Barry & Liam start new music podcast.

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Artist in Focus
 

Arguably the world’s leading consort of viols, FRETWORK was formed in 1986, and have delighted audiences around the globe, not only in early music but with their extensive range of commissions from contemporary composers.    

  25% discount on selected Fretwork titles!

 

 

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“… The players clearly share a tangible musical understanding and rapport, and catch Pohádka’s ambivalent quality very neatly (after all, are not all fairy tales child-friendly glosses on darker terrors?). Their technical prowess comes to the fore in Kodály’s Sonata … The performances are very fine throughout.”

“… The players clearly share a tangible musical understanding and rapport, and catch Pohádka’s ambivalent quality very neatly (after all, are not all fairy tales child-friendly glosses on darker terrors?). Their technical prowess comes to the fore in Kodály’s Sonata … The performances are very fine throughout.”

Guy Rickards – Gramophone magazine - April 2022

Gramophone Focus Haydn Piano Sonatas

“…You might imagine that by the time we reached Vol. 10 Bavouzet would be flagging a bit and that the music would be less than top-drawer Haydn, but not a bit of it – there are as many discoveries here as anywhere and the pianist’s conviction is apparent at every turn… His way with the out-and-out masterpiece that is the C major, HobXVI:50, is as brilliantly imaginative as you’d expect… But it’s in the earlier music, and the variations that the true revelations of this set lie …”

Gramophone Focus Haydn Piano Sonatas

“…You might imagine that by the time we reached Vol. 10 Bavouzet would be flagging a bit and that the music would be less than top-drawer Haydn, but not a bit of it – there are as many discoveries here as anywhere and the pianist’s conviction is apparent at every turn… His way with the out-and-out masterpiece that is the C major, HobXVI:50, is as brilliantly imaginative as you’d expect… But it’s in the earlier music, and the variations that the true revelations of this set lie …”

Harriet Smith – Gramophone magazine – April 2022

“…with her attractive, full-bodied voice, fine sense of contour in the vocal lines and beautiful French, Grimaldi reveals what’s there in songs that existed not necessarily for the theatre but for their own sake.”

“…with her attractive, full-bodied voice, fine sense of contour in the vocal lines and beautiful French, Grimaldi reveals what’s there in songs that existed not necessarily for the theatre but for their own sake.”

David Patrick Stearns – Gramophone magazine – April 2022

“… If you’re in need of some serious fun – and who isn’t these days – ‘Dance with Me’ may just sweep you off your feet.”

“… If you’re in need of some serious fun – and who isn’t these days – ‘Dance with Me’ may just sweep you off your feet.”

Andrew Farach-Colton – Gramophone magazine – April 2022
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Editor’s Choice – Vocal Section

“… With a total time of just over 86 minutes the physical disc is exceptionally well filled. Its bountifulness is matched by its high quality and excellent execution. Vol. 2 is eagerly awaited.”

Editor’s Choice – Vocal Section

“… With a total time of just over 86 minutes the physical disc is exceptionally well filled. Its bountifulness is matched by its high quality and excellent execution. Vol. 2 is eagerly awaited.”

Malcolm Riley – Gramophone magazine – April 2022

“… collectors who’ve followed Haefliger’s Beethoven over the course of his earlier ‘Perspectives’ series will not be surprised by the high craft and musical intelligence throughout this release.”

“… collectors who’ve followed Haefliger’s Beethoven over the course of his earlier ‘Perspectives’ series will not be surprised by the high craft and musical intelligence throughout this release.”

Jed Distler – Gramophone magazine – April 2022

“…This evocative and powerful music has certainly been given its deserved attention through the beautiful and dedicated playing on this excellent album.”

“…This evocative and powerful music has certainly been given its deserved attention through the beautiful and dedicated playing on this excellent album.”

Amy Blier-Carruthers – Gramophone magazine – April 2022

“… while I can think of numerous recordings of these works that offer affection and graciousness in abundance, I can’t think of another that’s as ear-opening as it is warm-hearted.”

“… while I can think of numerous recordings of these works that offer affection and graciousness in abundance, I can’t think of another that’s as ear-opening as it is warm-hearted.”

Andrew Farach-Colton – Gramophone magazine – April 2022

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